By Amy K. Levin, David Kyvig

Publish 12 months note: First released in December twenty eighth 2006

Defining Memory makes use of case reports of indicates from round the nation to check how neighborhood museums, outlined as museums whose collections are neighborhood in scope or whose audiences are basically neighborhood, have either formed and been formed through evolving group values and experience of historical past. Levin and her individuals argue that those small associations play a key position in defining America's self-identity and may be studied as heavily as extra nationwide associations just like the Smithsonian and the Metropolitan Museum of artwork.

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The performers ask themselves how they would walk if they were dog-tired (1975: 114). The next Foi song converges on the imagery of ‘Auf dem Flusse’. This one also makes use of the polysemy of the Foi word hua, which means ‘struck’ (from the verb hu-, to strike, kill, hit); ‘planted’ (from the same verb, mohu-); and ‘mother’. Crashing, rushing water strikes the stones in creek and river beds. Also, men must plant the stakes with which they construct fish dams across the mouths of small creeks. e.

Symbols that Stand for Themselves. Chicago: University of Chicago Press. Weiner, J. 1991. The Empty Place. Bloomington: Indiana University Press. —— 1995. ‘Introduction and Allegro’, in Too Many Meanings: A Critique of the Anthropology of Aesthetics. Social Analysis 38: 6–17. —— 1996. ‘Aesthetics is a Cross-Cultural Category’, in T. ), Key Debates in Anthropology. London: Routledge, pp. 251–93. —— 1997. ‘Televisualist Anthropology: Representation, Aesthetics, Politics’. Current Anthropology 38(2): 197–235.

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