By Lois Fichner-Rathus

FOUNDATIONS OF artwork AND layout: AN greater MEDIA variation has a logical and dependent association, relocating from micro to macro subject matters, permitting readers to construct on principles and ideas of layout, and higher comprehend the fabric. 1000s of examples of latest and vintage artwork, besides the book's exact visible glossaries, make this article an incredible origin of layout ideas. This new more desirable variation contains "Project" containers which convey examples of the way you could practice key issues from the chapters' content material. furthermore, paintings CourseMate, that includes an interactive e-book and a wealth of on-line assets, is now on hand for this article.

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Additional resources for Foundations of Art and Design: An Enhanced Media Edition (with Art CourseMate with eBook Printed Access Card)

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F. Niki de Saint-Phalle. 26. Painted Polyester (110” x 35” x 24”). is size in relation to us—the viewers. Scale within a work refers to the size relationships of images and objects represented therein. The proportions of a work have to do with how parts relate to the whole. Artists can manipulate viewer response by varying the scale and proportion of the elements within the overall composition. Some artists distort or even subvert the realistic scale of objects to challenge the viewer to look at the familiar in a new way.

Vertical and horizontal lines, then, repeat a direction that is already present and reinforce a feeling of stability in the work. By contrast, diagonal lines violate this stability and create a sense of tension or movement. 16. Andreas Gursky. 99 Cent (1999). Chromogenic color print (6’9 1/2” x 11’). Philippe Migeat. Musee National d’Art Moderne/CNAC/MNAM/Reunion des Musees Nationaux/Art Resource, NY/©2007 Andreas Gursky/Artists Rights Society (ARS), NY 30 CHAPTER 2 ■ Line Copyright 2010 Cengage Learning.

As such, psychological lines can also function as compositional lines. outline A line that marks the outer boundaries or contours of a figure or an object. 24. Emily Mary Osborne. ) Oil on canvas (34” x 44”). Private Collection 34 CHAPTER 2 ■ contour line A perceived line that marks the edge of a figure as it curves back into space. Line Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).

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