By Nathalie Heinich, Paul Leduc Browne

A properly written, well-thought out advanced overview of the lifestyles and paintings of Van Gogh. Written with a voice and tone of a purist this anthology delves into the social, theological and mental impact that this guy and his paintings had at the international of paintings and the area. preferred so much via people with a powerful vocabulary. really worth it...

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Gauguin is the first to introduce the theme of humility in depicting van Gogh, a man “suffused with charity” and “love of the meek” (this “young priest” who “believed in a Jesus who loved the poor”). Gauguin is also the first to link the theme of madness to van Gogh the man, as opposed to the artist or his work. ” The theme of genius deserves special mention. In van Gogh’s case it comes to be associated with madness through the affirmation of his deviance. Instead of branding him with the stigma of incoherence, deviance causes him to be celebrated as an exceptional figure.

Perhaps. But come what may, even if fashion were to rate his pictures at the same price as Mr. Meissonier’s little infamies (a very unlikely prospect), I do not believe that much sincerity could ever enter into this belated public admiration. Vincent Van Gogh is both too simple and too subtle for the contemporary bourgeois mind. ” For there to be an affair, there must at the very least be a common universe of values and debate, such as the Salon in the premodern artistic context (impressionist Scandal), the art gallery (Caillebotte Affair), the judicial system (Dreyfus Affair), or the cultural heritage (the Buren Affair at the Palais Royal, to take a recent case).

Without this, even a constant artistic effort supported by real talent might only reflect its author’s solipsistic preoccupations, which could be cut off from any general interest likely to enter into history or be handed down to posterity. This requirement of universality may find a basis of support in the reference to something transcendent. 66 Here, generalization from the work to the history of art is what enables fundamental aesthetic tendencies to be highlighted, while the expression of the emotions aroused in the critics by seeing the pictures lends authority to their universalization.

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