By Ingeborg Huber
Ingeborg Huber. Ikonographie der Trauer in der griechischen Kunst. Peleus - Studien zur Archäologie und Geschichte Griechenlands und Zypern, Band 10. 271 Seiten, 280 Abbildungen
Die Darstellung der Trauer ist eines der dauerhaftesten und zugleich eines der aussagekräftigsten Bildthemen der griechischen Antike. In der Mannheimer Dissertation wird dieser Bereich erstmals einem langfristigen Überblick von der späten Bronzezeit bis zum Hellenismus unterzogen. Grabsteine, Grabvasen, keramische Gefäße und Terrakotten liefern im wesentlichen das archäologische fabric hierfür.
Read or Download Die Ikonographie der Trauer in der Griechischen Kunst PDF
Similar archaeology books
Egypt's Making: The Origins of Ancient Egypt 5000-2000 BC
Already a vintage and established textual content, this moment version has been entirely revised and up to date within the mild of the numerous discoveries made on account that its first e-book. Michael Rice's daring and unique paintings conjures up the fascination and beauty of the main historical interval of Egypt's history.
Covering a massive diversity of subject matters, together with formative impacts within the political and social association and paintings of Egypt, the origins of kingship, the age of pyramids, the character of Egypt's touch with the lands round the Arabian Gulf, and the earliest identifiable advancements of the ancient Egyptian personality.
Egypt's Making is a scholarly but readable and imaginitive method of this compelling historic civilization.
Disgraceful Archaeology: Or Things You Shouldn't Know About the History of Mankind
The booklet that every one archaeology buffs have secretly been longing for! This particular mix of textual content, anecdote and comic strip unearths, and revels in, thse elements of the earlier which have been overlooked, glossed over or perhaps suppressed - the bawdy, the scatological and the downright extraordinary. Our ancestors weren't continually critical, downtrodden and apprehensive creatures.
Perspectives on Traditional Settlements and Communities: Home, Form and Culture in Indonesia
This e-book covers the connection among societies and their tradition within the context of conventional cost in Indonesia. the point of interest of the examine is searching for meanings of neighborhood strategies. This examine unearths and analyzes the strategies pertaining to domestic and their sociocultural ideas for conserving a feeling of group and identification.
The Cambridge Companion to Historical Archaeology
The Cambridge better half to old Archaeology presents an outline of the overseas box of ancient archaeology (c. advert 1500 to the current) via seventeen specially-commissioned essays from best researchers within the box. the amount explores key topics in old archaeology together with documentary archaeology, the writing of old archaeology, colonialism, capitalism, business archaeology, maritime archaeology, cultural source administration and concrete archaeology.
- Local Responses to Colonization in the Iron Age Mediterranean
- A Companion to Cultural Resource Management
- The Archaeology and Historical Ecology of Small Scale Economies
- The Cultural Landscape and Heritage Paradox: Protection and Development of the Dutch Archaeological-Historical Landscape and its European Dimension ... Press - Landscape and Heritage Research)
Additional resources for Die Ikonographie der Trauer in der Griechischen Kunst
1977. Interpreting Our Heritage. Chapel Hill: University of North Carolina. ) UNESCO. 2003. Convention for the Safeguarding of the Intangible Cultural Heritage, Paris. Wenders, W. 2003. In Defense of Places. DGA Magazine 28 (3). Internet. php3 accessed December 2005. 26 2 T H E V AN I S H I N G V I R T U A L Safeguarding heritage’s endangered digital record Alonzo C. Addison Abstract With the rapid advance of digital technologies, the documentation, analysis and presentation of heritage has had a renaissance.
Heritage and materiality Let me begin with some comments about the nature of cultural heritage as such, particularly since Benjamin’s comments, focusing as they do on the uniquely existing artwork and its reproduction, may seem to be at odds 14 AGE OF NEW MEDIA with the emphasis in contemporary cultural heritage practice, not only or even primarily on material culture, but on the non-material, and on issues not so much of reproduction as of interpretation, and, more pointedly, of the multiplicity of interpretations.
But to what extent does what Benjamin have to say about the techniques of mechanical reproduction, the techniques of ‘old media’, and the way they transform the being of the artwork, also apply to the techniques of the ‘new media’ of today? Benjamin’s discussion focuses primarily on photography and ﬁlm, both of which operate by means of their capacity for the reproduction of visual images, and so can be used simply to visually re-present already existing objects and events, but which can also be productive, in that they have a capacity to create new images in their own right.