By Dave O'Brien
Contemporary society is advanced; ruled and administered through more than a few contradictory regulations, practices and methods. Nowhere are those contradictions extra keenly felt than in cultural coverage. This booklet makes use of insights from quite a number disciplines to assist the reader in figuring out modern cultural coverage.
Drawing on a number of case reports, together with research of the truth of labor within the artistic industries, city regeneration and present govt cultural coverage within the united kingdom, the ebook discusses the assumption of worth within the cultural zone, displaying how price performs out in cultural organizations.
Uniquely, the ebook crosses disciplinary barriers to give a radical creation to the topic. accordingly, the publication might be of curiosity to a number students throughout arts administration, public and nonprofit administration, cultural reports, sociology and political technology. it's going to even be crucial studying for these operating within the arts, tradition and public policy.
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Extra resources for Cultural Policy: Management, Value and Modernity in the Creative Industries
The British example oﬀers a straightforward case study of how this type of bureaucratic formation has changed since the 1970s. Burnham and Horton (2013) describe three elements of ‘traditional’ public administration: that politics and political decision-making is separate from administrative work; that this administration was organized hierarchically, based on aptitude and merit, rather than personal connections, wealth or other forms of inﬂuence; and, ﬁnally, that this administration would have permanence, recruited for life and exempt from the electoral cycle that inevitably leads to politicians’ limited time in oﬃce (Rush and Giddings 2011).
The ﬁnal sentence suggests the imperative on the individual to see the self as a project to be created and developed, rather than having identity as a given product of social positions and structures of gender, class, ethnicity and sexuality. The set of writers associated with the individualisation thesis can be contrasted and complemented by exploring the continued legacy of social structures in how people think of themselves. In particular, this project, of understanding how social institutions and their attendant technologies produce individual forms of identity has been at the core of one branch of the study of cultural policy that emerged from some of the debates in cultural studies that covered very similar territory to questions of modernity (Lewis and Miller 2003).
The discussion of the problems of governance as both a theoretical construction and a narrative descriptor suggests a reﬂexive moment that opens up a much broader discussion of the role of the social sciences in helping us to understand the world. Bevir and Rhodes (2003) and Bevir (2010) have attempted to ‘decentre’ governance by placing it within speciﬁc party and political traditions. In this reading, governance is a constructed concept that owes much to the stories that individuals tell about the dilemmas facing government in modernity and how they, as policymakers, are responding.