The query of faith was once a tremendous preoccupation for Jacques Derrida specifically over the last years of his lifestyles. His writings in this subject matter have persevered to encourage and galvanize, and so they have performed an important function within the transformation of scholarly debate around the globe. The hint of God: Derrida and faith offers a compact creation to this debate, bringing jointly contributions by means of a few of the best-known voices within the box, in addition to paintings via more youthful students. It considers Derrida's fraught dating to Judaism and his Jewish identification; it broaches the query of Derrida's relation to the Western Christian culture; and it examines either the issues of touch and the silences in Derrida's therapy of Islam. the quantity concludes with a debate among John Caputo and Martin Hägglund in regards to the that means of Derrida's use of non secular subject matters and ideas, and poses the query of no matter if deconstruction may be precious source for non secular philosophy or if it is extensively atheistic. The dialogue will get to the guts of controversies approximately deconstruction its moral implications and its political targets. It indicates how non secular rules have been either followed and re-worked by means of Derrida in ways in which had a profound influence on either his personal highbrow improvement and at the heritage of philosophy within the 20th and twenty-first centuries. Treating Derrida's notion from his earliest engagement with non secular philosophy to the writings of his final years The hint of God can be an crucial quantity for a person attracted to the intersection among sleek philosophy and faith.
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Extra info for The Trace of God: Derrida and Religion (Perspectives in Continental Philosophy)
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Is the Divine name— and the longer, wider, even deeper tradition for which it stands—an illustration or exempliﬁcation, an ultimate and enabling condition, or is it an ulterior and merely secondary— however, “special”— eﬀect? If so, it would be an eﬀect without necessary, suﬃcient, or, in any case, determining—that is, eﬃcient— cause, as an earlier text in Margins of Philosophy, namely “Diﬀ érance,” had also suggested, in a context that likewise invoked the tradition of Divine names and, more speciﬁcally, of negative theology.
34 30 ■ Hent de Vries In sum, “writing,” taken here in its generalized sense, does not assume a “status” that would “oppose” the one ascribed here to the Divine name, since, as the supplemental proof of Descartes’s Fifth Meditation demonstrates indirectly, God’s existence and being are nothing outside— or before and beyond—their in-principle inﬁnite repetition, which inscribes alteration in their meaning no less than their use. And of this “drift”— which one could call “graphematic” or also “machinal”—the Divine name is historically and systematically the most “exemplary” example (and will probably remain so for, at least, some time still to come).